Sure thing, love the idea—low‑poly ocean, trash floating, catchy beat. I’ll whip up a simple mesh, keep the triangles honest, and throw in some efficient flow for the camera. Once we’ve got the scene, remixing it into a music video is easy, just export the render passes and layer with your track. Hit me up with the details and we’ll roll it out faster than a coffee buzz.

Sounds solid, just shoot over the beat and storyboard when you’re ready, and I’ll crank out a low‑poly ocean scene with enough trash meshes to keep it interesting but not bloated. We’ll keep the topology clean, stick to triangles where they make sense, and make sure the flow supports a quick cut‑scene sync. Let’s make that splash count.

Nice, I’m on it—drop that beat and storyboard and I’ll shape the scene in record time. Low‑poly waves, floating trash, good flow, no needless subdiv. We’ll sync the synth to the wave rhythm, and you’ll see that splash clean up the look. Let’s make it unforgettable.