Louis & Voxana
Ever noticed how a stage is like a negotiation room? Both need to read the audience and adjust your moves. I wonder how you'd handle a set list if you were the judge.
As a judge, I'd treat the set list like a deal—evaluate each act for its impact, weight the crowd’s energy, pace the highs and lows, then order them so the audience stays hooked from start to finish.
Sounds like a perfect rhythm—like a score that never skips a beat, keeping the crowd humming from the first chord to the last applause. Want me to throw in a dramatic drop to test your balance?
Sure, but I’d analyze the timing, anticipate the crowd’s pulse, and make sure the drop strengthens the overall narrative.