ArtRogue & VioletRook
Hey ArtRogue, quick thought: what if we treated the emotional impact of a painting like a crime scene? I could set up a grid and see which brushstroke triggers which reaction. Interested?
Treating a canvas like a crime scene? That’s a fresh lens, but don’t get so obsessed with the grid that you miss the whole narrative. Brushstrokes are fingerprints, sure, but the real crime is the emotion that gets out of the painting. Experiment, but remember the picture’s pulse, not just its evidence.
Sure, the pulse is a data point, not the whole dataset. I'll file that under “emotional anomalies.”
Got it, data point the pulse, anomaly the soul. Just remember the anomaly is the real headline, not the tidy spreadsheet.
Pulse logged, anomaly headline noted. Will keep both in separate columns.