I love that idea—picture the neon splash not just as a splash, but as the soundtrack’s heartbeat on paper. Think of the album as a mini gallery: each track a different room, the cover the entryway that tells you the mood before the first beat drops. If we remix the deck, let the vinyl spin like a gallery door, and every cue card becomes a pop‑of‑color poster that syncs with the groove. It’s like walking through a neon‑lit art show where the music is the light show.