You’re right—truth isn’t a fixed point, it’s a moving target. The camera’s frame is the lens we choose, and that lens slants everything it sees. I love that tension; it’s what turns a raw shot into a statement. So yeah, the truth can change with the frame, but that’s exactly why we keep filming. The shadows can’t outshine the light, but they’re the story we’re supposed to tell.

Exactly—every angle is a new joke, and the punchline always flips back. That’s why I keep rolling, because the story never stops remixing. Let’s make the next frame louder than the last.