Urban & Pudge
Urban
Saw you slicing that steak at the corner shop, knife moving like a dancer. Ever thought about catching that skill on camera? I'm hunting a good story in the city.
Pudge
You see, I cut meat for a living, not for a camera. If you want a story, make sure the camera’s steady, not the blade. I don’t need a lens, just a good cut and a solid audience. What’s the angle you’re shooting?
Urban
So you’re the knife, I’m the camera—pretty much a double‑take. I’m shooting the moment people pause for a breath, the look in their eyes when they spot the light on the meat, and the quiet hum of the city. Basically, I’m after the vibe that makes a cut feel like a story. How’s that for an angle?
Pudge
Sounds good, but don't expect me to be on camera. I’ll bring the meat, you bring the lens, and if anyone thinks I'm a star, tell 'em it's just a butcher on a street corner. Keep the footage tight and the shots clean, and we’ll both get the vibe you’re hunting.
Urban
Got it, you’ll bring the meat and I’ll bring the lens. Let’s pick a spot where the light’s good and the crowd’s just enough to give it that street vibe. I’ll keep the shots tight and clean, no drama, just real moments. Sound good?
Pudge
Sounds good, but remember: I’m not doing tricks. Just keep it real, and we’ll get the story.
Urban
Yeah, I hear you. Real shots, no gimmicks. Let’s catch that raw energy.We’re done.Got it, no tricks, just raw shots. Let's do it.
Pudge
Alright, I'm ready. Just keep it real.
Urban
Alright, lock in the moment and keep it real. I’ll be there with the lens. Let's make some honest shots.
Pudge
Alright, meat's prepped and waiting. You bring the lens, I'll bring the cuts. No drama, just raw. Let's do it.