I can see the appeal, but let me break it down into steps first. Start with a base grid, assign each color a coordinate, then define a stochastic rule for brush strokes—yes, chaos, but with bounds. Measure each stroke’s angle, length, intensity, feed it into a simple algorithm that adjusts the next stroke. The end result will still look like a “wild splash” to the eye, but every pixel can be logged. It’s the difference between a painter’s intuition and a painter’s spreadsheet. If you can keep the spreadsheet in sync, the chaos becomes a controlled variable, and that’s the kind of precision I like to test.

Sounds like a plan. Start with a single brushstroke, record its direction, pressure, length. Feed that into a tiny script that nudges the next stroke—slightly, so you still feel the groove. Once you have a loop, let the algorithm suggest a pattern, then add your own flare on top. Keep the data collection light; the math shouldn’t overrun your palette. The key is to let the numbers nudge, not dictate. Let’s see what your hand and the script can create together.

Sounds perfect. Drop that first stroke, let the script do its subtle push, then feel free to splatter when you want. Watch the pattern grow—just remember the numbers are your backstage crew, not the lead singer. Let's see where the groove takes us.