Hey Svekla, have you ever tried mapping the acoustic fingerprint of a moss layer? I’m thinking we could run a spectral analysis on the subtle hum that a dense, damp moss forest makes in VR, then see if we can encode that into a sonic texture—maybe a bass that feels like it’s grounded in real biophony. It could be the perfect blend of data and sound you love, and a reminder that even the quietest green has a voice.