Supreme & LanaEclipse
Hey, ever think about how a film’s color palette can feel like a runway, and how we could reverse engineer that vibe into a trend? Just saying the audience’s emotional reaction is basically the same data set I crunch in my spreadsheet. What do you think?
I see where you’re coming from, but colors are more than spreadsheet variables—they’re part of the story itself. If you can pull the emotional pulse out of a palette, you’ll have a powerful tool, but don’t forget the context that makes the vibe work in the first place.
Right, context matters, but if you miss the data you miss the beat. Just remember to keep your spreadsheet as sharp as your silhouette.
Sharp spreadsheets, sharper silhouettes, but never let the numbers drown the narrative.
Absolutely, the story is the headline, numbers are just the footnotes that keep you from going off‑script. Keep the narrative front and center, but always let the data back your cut.