I’d go with a drone, because the comet’s firework is best captured in real‑time, and a time‑warp would just turn the whole thing into a paradox that even the audience can’t keep track of. If I had to chase the tail, I’d mount a quadcopter in a cloud‑tower, let it hover above the nucleus, and film the cosmic ballet from a perspective that feels both real and almost… alien. The idea of bending time feels too… *weird* for a blockbuster, but I love the thought of it spinning the story into a different dimension.

Yeah, I’ll keep that battery tight and maybe stash a backup, but the comet will still be the star of the show, and the crew’s breath will echo like a pulse in the cosmic rhythm.