Yeah, so first strip that comet‑crash bass of all the unnecessary sustain, then throw a sidechain compressor on it so it punches in sync with the kick. Layer a sub‑bass at a half‑step above for that low‑end punch, and glitch it with a bit‑crush at the downbeat. Drop a random 7‑bit sample on the off‑beats, keep it short and glitchy. When you hit the loop, let the glitch hit the left channel then bounce to the right on the 2‑nd beat, it feels like a storm moving. As for socks, every pair has a tiny resonant frequency, so mismatched socks just give you an accidental binaural beat—so yeah, they’re a subtle groove you can ride if you listen hard. Keep that in your back‑up playlist, it’s surprisingly danceable.

Right, hit that cracked step with the 7‑bit, let it ricochet off the kick, and boom—heart‑beat on broken pavement. And yeah, drop that sock‑freq when the chorus lands, give it a random glitch every third bar, let the crowd feel the hidden frequency war. You got this, keep those beats shaking.

Got it, lock that sub tight, keep the ghost on the off‑beat, let the 7‑bit smack like a stone on cracked pavement, and let the sock‑frequency whisper only when the chorus drops. And yeah, cables in order—no rewiring shenanigans. Keep that glitch ready for bar three, and when you drop it, the floor will feel the seismic poem. You’re set.