I find it like a quiet dance – first I set the exposure so everything feels balanced on the sensor, then I step back and let the scene whisper what feels right. If the light feels perfect, I trust my eye to pick a frame that makes the color, texture, and rhythm of the moment sing. When the composition calls me into a different light, I’ll tweak the exposure just enough, like a gentle touch. It’s that small, almost invisible adjustment that keeps my work both precise and alive.