Oh totally, it’s like a black‑belt class where every move is pre‑choreographed, but I’m the kid who wants to break into a jazz routine on the spot. I keep my feet in the line, but my eyes look for a cue to improvise. When I spot a moment that feels a little too stiff, I’ll throw in a little lift or a change in my tone—just enough to keep the rhythm alive without breaking the scene. It’s a dance between following the script and letting my instincts take the lead, and the audience usually loves the surprise beats I drop in.