Sure, keep it tight. Use a high‑end condenser mic, like a Neumann U87, with a low‑noise preamp. Run the signal through a clean EQ, cut the sub‑bass, roll off the 20 Hz‑low‑cut, and boost a tiny pinch at 10 kHz for that sparkle. For vintage warmth, bounce the track onto a tape emulator or a real tape machine—just a gentle hiss, no over‑saturation. Add a light analog compressor, like an LA-2A, for smooth dynamics. Keep the mix transparent; if you want glitter, use a very subtle high‑frequency reverb or a soft chorus, but only at a few percent—too much and you lose the crystal clarity. That’s the sweet spot.