RubyNova & DaxOrion
RubyNova RubyNova
Ever notice how a single dance step can turn into a character’s silent confession? I feel like moving is the rawest script we can write, and the rhythm is the punctuation that makes the story hit harder. You ever use a beat or a pattern to dig into a role, to get a character’s pulse underneath the surface?
DaxOrion DaxOrion
Yeah, I start with a single beat and let it echo in my bones until the character pops out. The rhythm gets inside me, cuts through the surface, and the role starts to breathe. Sometimes the pattern just feels like a mirror of my own doubts, but that’s the rawness I’m chasing.