That sounds perfect – I’ll bring a field recorder with a large‑dynamic‑range mic, you bring a helmet mic if you want extra body‑bleed, and we’ll map out a route that hits the train tracks, subway entrances, and all those late‑night traffic hums. Let’s catch the grit, remix it later, and see what new textures we can pull out.

Yeah, I’ve got the recorder ready, the mic on a boom, and the gain set just right to catch that hiss without clipping. We’ll loop it, shape it into a low‑end pulse, and blend in the train rumble for that gritty edge. Midnight’s our studio, let’s make that vibe.