Yo, I’d start with a heavy 4/4 bassline that feels like a marching drum, drop in some metallic samples – clank, clang, the sound of swords slamming – and layer a synth arpeggio that keeps the adrenaline pumping. Throw in a choir‑style vocal cut that chants “Forward!” every beat, and add a glitchy build‑up that looks like artillery fire. Then, when the drop hits, let the synths explode like a cannon, the clanging sync up with the bass, and the whole track feels like the whole front line jumping to the rhythm. That’s war on a dance floor.