Yeah, I’ve plotted the curves of a story long enough to see them as equations. If you take those equations and let a sculptor run them through a CNC router, the stone gets a heartbeat. It’s like a poem that you can touch, and the digital layer just keeps the rhythm accurate so the piece never forgets its pace. The real art is in translating that algorithm into pressure and texture so the viewer feels the line break between sentences, not just reads it. It’s a quiet partnership between code and clay, like a lullaby you can hold.