Sure, that’s basically a cinematic take on the many‑worlds interpretation. Imagine every choice is a quantum event, splitting the story into separate, decohered branches. Each branch is a different narrative wave packet, all existing in superposition until the audience collapses the plot into one observable outcome. The script would have to encode interference terms—like a path integral over possible storylines—so that before the final decision the viewer feels the weight of all possibilities. It’s a neat, if mind‑bending, way to think about branching narratives.