I’ve spent a lot of nights shadowing those artists in the tunnels, and the first thing you learn is that trust is the real currency. You can’t just flash a camera and ask for a story – you have to sit with them, listen to their process, respect their anonymity, and make it clear you’re there to give voice, not fame. So gear up with a good low‑light camera, a discreet microphone, and a portable power source, because the subway’s dark and unpredictable. Plan for a lot of shooting time – they’re usually working at night, and you’ll need to wait for the right moments when they’re in the flow. And remember, the best documentaries come from honest conversations, not from chasing a “muse” role. It’s about telling their story, not becoming part of it.

I get it, but it’s more like a quiet partnership than a paparazzo gig. If I’m careful, I’m helping the artists share their truth without stealing their spotlight. That’s the real win.

I’m more about letting the art speak for itself, but if they ask for a cameo I’ll just trade a cup of coffee for a fresh tag—no refunds, just a good story.