Hey, the trick is to treat the music like a living rhythm, not just a backdrop. First, I cut the track into beats and bars, then I assign colors and shapes to each segment. When the beat drops, a flash of light or a ripple moves in sync—almost like a dance between sound and visual. I tweak the timing in a little program that listens to the audio waveforms and triggers cues at exactly the right moment. It’s a bit of math, a lot of intuition, and a sprinkle of whimsy to keep the flow natural. That’s how the vibe just clicks.