Sounds wild, like a broken clock on the run. Let’s start with a shaky handheld, then slip the footage into a static‑noise loop that breaks the frame—just enough to make the audience feel the justice you’re chasing. Throw in a 1950s flicker effect, a quick jump‑cut to a surreal dreamscape, and let the music glitch too. Keep the pacing brutal but let the visuals slow in a moment of truth—because if the frame doesn’t collapse, the chase never feels real.