Yeah, I’ve been thinking about that a lot lately. The way snow muffles everything feels like a low‑pass filter that still lets a single note slip through. I’d try starting with a quiet, airy pad and then drop in a single, soft guitar lick that’s almost hidden until you’re really listening, like a secret bridge that only pops out when the wind stops. It’s a little awkward to explain, but I feel like it could really capture that hush.