I’ve heard that beat before, but not in the way you’re seeing it. The real rhythm is in the pauses between the lights, the breath the city takes. If I wanted to trap that, I’d feed the signal into a low‑frequency oscillator, let the silence grow, then let the light pulses hit the waveform. You could end up with a track that feels like traffic, but also like a quiet war in the streets. Just keep your ear open and your mind closed on the obvious.