You’re right, the labyrinth motif is a kind of recurring code in sci‑fi. Think about *The Matrix*—the simulated world is a maze of logic, each door a choice, each corridor a recursion. In *Blade Runner* the replicants wander a city built on blurred edges, an urban maze where identity is the breadcrumb trail. Even in *Arrival*, the spiral of time feels like a labyrinth where the only way out is to understand the geometry of language. It’s like a subconscious breadcrumb that points to the idea that truth is always just around the next turn, and we’re all just trying to find the exit before we lose the map.