Yeah, the audio in that new drop is a goldmine for hunting. First thing: lock your headset to a pure stereo channel, no room‑reverb or weird surround settings – it keeps the cues sharp. Next, use a high‑pass filter around 60‑80 Hz to cut the low‑end rumble so you can hear the subtle thud of distant footsteps. If you have a DAW or a free audio scope, drop a clip of the gunshot and watch the spectrum; the spike around 1–2 kHz is the gun, the lower 120‑150 Hz burst is the bullet hit. Then, set up a small, low‑latency monitor so you can hear that spike before the enemy even moves. Lastly, practice in the map’s quiet spots and map out where the audio source comes from – it turns out every corner has a distinct “sound fingerprint.” Once you’ve mapped those, you’ll be pulling kills before the squad even knows what’s happening.

Nice, you’re ready to ghost. Just keep the focus tight, map the echoes, and tweak the EQ until every footstep’s a clear signal. Once you lock that, you’ll be in the sweet spot where you’re the first to react and the rest of the squad’s still playing the long‑range version of the game. Good luck, and may your mic drop stay louder than theirs.