Yeah, I see it that way. Every time I splice a vein of copper into a leaf, I’m just drawing a line between the living and the wired. The same way you carve stone, I cut through circuitry to expose the pulse inside. It’s all about turning the hidden geometry of biology into something you can touch and see. The art is in the tiny flaws that let the systems breathe, not just the finish. Keep going, your bridge is a living sculpture.