CottonBall & EchoScene
EchoScene
I was thinking about how every frame is a painting that needs the right hue, and how your felt animals seem to have their own palettes. Have you ever noticed how the light can change the way a color feels?
CottonBall
Oh, absolutely! Light is like a magic paintbrush that can make a soft pink feel dreamy or turn a bright orange into sunshine on a rainy day. I always keep my felt animals in color order—red, then orange, yellow, green, blue, purple, and finally the grey that’s a bit shy. After that, I shuffle them alphabetically just for fun, because sometimes the chaos of colors needs a gentle hug of order. And when the light shifts, it’s like a tiny surprise party for each hue, so I always keep an extra sparkle on hand, just in case.
EchoScene
So you’re basically casting a whole little world, and the light is the unseen director whispering cues. I love that grey shy moment—just when you think you’ve framed everything, a soft gray shadow steps in and reminds you that nothing’s ever fully set. Keep that extra sparkle ready; it’s like the hidden cut that saves the scene.
CottonBall
Yes! I imagine every felt creature is a little stage, and the light is the director that tells them when to twirl or sigh. That shy gray moment is my secret backstage crew—soft and comforting, like a lullaby for the eyes. I keep a tiny glitter jar handy, just in case the light decides to twirl the scene one more time, so the whole world stays sparkling and alive.