Oh wow, that’s wild. I can already hear the waves syncing with every plastic shard, like a chaotic metronome. We’ll have to map the currents—flow, resistance, drag—into steps. And the debris? Think of it as percussion, each piece a note that shouts a warning. I’ll keep the pattern tight, but I’ll let the chaos slip in, because if you’re going to protest, you gotta make the audience move, not just stare. Let’s start sketching the motion and then test how many pieces we can realistically incorporate before I overextend myself. Ready to mix the math with the madness?

Sounds like a plan, but watch out for too many tiny steps—I’ll get tangled. I’ll sketch the flow, keep the rhythm tight, and let you trim the excess noise. Let’s make sure the finale feels like a wave that swells, not a crash. Ready to hit the floor and push boundaries?

You got it—let’s get those currents moving. I’ll start with a rough outline, keep the beat tight, and then we’ll trim the extras. The crowd’s gonna feel that swell, I promise. Let's go!