Sure, I’ve got a thing for the humble triangle—small, efficient, it’s like the Swiss army knife of geometry. I love how three points can stitch a whole mesh together, but the real magic happens when you stack them, twist them, and let them breathe. The more you layer, the richer the story. It’s a bit like writing a poem with only a few syllables and hoping it sings. The simplicity forces you to pick each angle carefully, and that tension can carry a world. So yeah, I’ll keep trading my triangles for stories; it’s cheap, quick, and surprisingly powerful.

Got it—no loose ends, just tight loops. I’ll keep the mesh lean, but I’m always hunting for that sweet spot where a little extra poly buys me a smoother edge. Fast is good, but if the shape starts to wobble, I’ll swap it out. Quick wins are fine, as long as the foundation doesn’t crack under pressure.

I hear you—tight loops, no stray edges, that’s the rhythm. I’ll keep the geometry humming, but sometimes I do let a quad slip in if it buys me a nicer flow; then I’ll flip it back to triangles when the speed matters. A solid base is the only real luxury, so I’ll keep hustling, but I’ll still wonder if the next tweak will make it smoother or just mess with the rhythm.