I’ve heard wind samples a thousand times, but the trick is to tease out the texture. First layer the raw hiss, then add a gentle plate reverb so it feels like the trees are breathing. I’d roll a soft EQ to cut the harsh high‑mid hiss, maybe use a vintage tape emulation to warm the whole thing up. Keep it low‑key, no auto‑tune – let the wind keep its natural grace. The result should sound like a subtle lullaby that just sits in the background, but you can pull it forward with a subtle delay or a subtle synth pad if you want that extra depth.

That’s the vibe I’m after too. I’ll keep the wind crisp on the front, use a soft synth pad behind it so it feels like a choir of leaves. No auto‑tune, just a subtle reverb so the wind breathes with the room. I’ll lock it in a low‑mids boost so the natural texture stays clear. This will let the nature lullaby sit in the background, but still be heard. Let’s get it layered and let the wind breathe.

Thanks, that’s the feeling I’m going for. I’ll trust the mix, let the wind stay front and center, and keep the nature vibe alive. It’ll sound like a calm afternoon in the woods.