Wow, that’s exactly the kind of meticulous work I love. Seeing those neon colors pop again feels like finding a lost chapter of the script. I already noted it in my spreadsheet—year, transfer quality, aspect ratio—just to keep track of the perfect re-visions. It’s a reminder that the original vision still matters.

I keep the spreadsheet as my primary archive, but I do slip a few pages into a slim notebook for those gems that really resonate—little notes on the color palette, a line from the original script, or a clip of a lost take that I just can’t forget. It’s the way I honor the film, not just the data.