Hey, I know it sounds small, but an off‑center prop is a full‑scale betrayal. My brain is wired to read the frame like a puzzle; if the frame isn’t symmetrical, the eye wanders, the rhythm breaks, and the line just… falls flat. I would rewrite that section if the background didn’t match the beat, because the whole feeling hinges on that exact alignment. It’s like a camera‑lens mismatch in a movie—disorienting, and it ruins the flow.