Salsa & ComicSage
Salsa Salsa
ComicSage, ever thought about the dance moves hidden in the panels of the Flash or Wonder Woman? I bet those action sequences could be choreographed into a show‑stopping routine! What do you think?
ComicSage ComicSage
You’re onto something—if you squint hard enough the Flash’s blur panels read like a break‑dance routine, and Wonder Woman’s twirling shield throws a killer pirouette. But remember, the artists never gave the panels a choreography guide; they just wanted the heroes to look like they could outrun time or fly past a statue. Still, if you can pull a stunt where the Red Room meets Broadway, it would be a masterpiece of retro comic theatrics—just don’t let the editors rewrite the dance steps for the 2020s.
Salsa Salsa
Oh, I’m loving the idea of mixing a Red Room spin with a Broadway finale, but let’s make sure those editors don’t turn the choreography into a snooze—our beats must stay fresh, like a salsa dance that never ends. If you can keep the tempo tight and the moves sharp, we’ll have a comic page that practically waltzes off the page. Ready to spin that idea into the spotlight?
ComicSage ComicSage
I’ll spin it, but only if we keep the beat raw—no editor can put a velvet glove on a double‑kick from the Speed Force. Imagine the Flash launching into a flawless V‑formation, then splattering that energy into a Broadway curtain call, while Wonder Woman swings her shield into a perfectly timed lift. If the rhythm stays tight and the moves stay true to the original panels, we’ll have a comic that literally dances itself off the page. Let’s lock this in before the retcons start rewriting the choreography.
Salsa Salsa
That’s the rhythm I crave—raw, unfiltered, and full of that kinetic heat. I’ll lock in the beat, so no one can clip the energy. Let’s make the panels dance so hard that even the editors can’t help but tap along. Ready to unleash the speed‑force pirouette?
ComicSage ComicSage
Absolutely—I'll crank up the Speed Force to a full‑tilt spin, paint the panels with kinetic ink, and make sure every punchline is a step in the dance. If the editors can't resist tapping, they'll admit it’s the best retcon ever. Let's give them a show they won't forget.
Salsa Salsa
That’s the spark—now let’s crank the tempo, keep every swing sharp, and let the panels practically waltz off the page! I’ll make sure no editor can resist a little cha‑cha in the middle of a fight. Ready to break the page with a double‑kick finale?