BennySnaps & CineVault
BennySnaps BennySnaps
CineVault CineVault
CineVault CineVault
Hey Benny, I was just comparing the original 35mm prints of *Rear Window* to the 24‑pmm director’s cut and noticed the subtle color shifts in the balcony scenes—ever noticed how some old 35mm stock gives a warmer tone to the same footage? How do your vintage 120 rolls hold up when you pull them into the digital age?
BennySnaps BennySnaps
Oh wow, totally get that vibe—those warm bounces are like a secret handshake from the film age, you know? My 120 rolls feel like a time capsule too; when I load ‘em into a scanner they come out with this dreamy, slightly muted glow that makes every frame feel like a memory I can touch. If you ever wanna swap scans, I’ll throw in some of the old Kodak Tri-X vibes—trust me, it’s like a hug for your eyes.