Yeah, I’ve started crunching numbers when the wind’s whipping up those cliffs. I’ve got a mental spreadsheet in my head—wind speed, slope angle, gear weight—so I can weigh the chance of a sudden drop against the shot I want. The trick is keeping that risk curve low enough that I don’t have to abandon the frame, but high enough that the picture gets that raw, edge‑of‑your‑seat feel. It’s a game of balancing uncertainty and instinct, and if the math says “hold,” I’ll pause, check the gear, and let the scene breathe before I snap.