Yeah, throw some cheap fuzz into the synth’s amp, patch the oscillator straight into a noise gate, then feed that into a cheap VCA. Loop a bit of reverb with a delay that’s set to a crazy tempo, toss in a bit of tape hiss if you can find one, and finally hit the synth with a trigger from a random touch sensor. Keep the patch as chaotic as your head on stage—no clean, no rules, just raw, sweaty, screaming noise.