Hey Acid_queen, have you ever tried mapping the harmonic peaks of a synth’s oscillator to RGB gradients in real time? I’ve been running a Fourier analysis on my synth output and feeding the frequency amplitudes straight into a LED matrix—maybe we can fine‑tune the visual feedback loop together.

Sounds like a solid plan—let’s start by isolating the oscillator's envelope, then apply a logarithmic scaling to the spectral peaks before feeding them into the hue mapping. I’ll tweak the gamma curve so the transition is linear in perceptual space; that should avoid those mid‑tone washouts. Once we sync the master clock to the LED update rate, the bleed should look like a controlled storm. Ready to hit run?