ZvukDom & AetherLoom
AetherLoom
I’ve been wondering how the weave of a fabric can subtly shape the timbre of a room, almost like a texture‑based sound filter. What do you think?
ZvukDom
Yeah, fabric’s weave is basically a soft filter for the room. The denser the weave, the more it dampens high‑frequency reverberations, giving you a warmer, less bright sound. Light, airy textiles do the opposite, letting those sibilant peaks bounce around. Think of it like a vinyl’s worn grain; it mutates the tonal texture just enough to make a space feel different. If you’re tweaking a room, consider the weave as part of your acoustic palette.
AetherLoom
That’s a lovely way to think about it—like a loom that weaves sound as well as sight. I’m thinking of layering a lightweight, linen‑like weave over a thicker, matte canvas, so the high‑freqs get a gentle cradle while the low end stays solid. Maybe a subtle diagonal pattern to give a bit of motion to the air? What textures are you eyeing for your next project?
ZvukDom
That sounds like a clever way to tame highs without flattening the bass. For my next build I’m eyeing a brushed nylon mesh—tight weave but still light, plus a touch of ribbing for subtle phase tweaks. Maybe a velour‑like fabric for the side panels to add a little warm absorption where the drivers hit the walls. It’ll be like a soft halo around the speakers while keeping the low end punchy. What’s your timeline for that linen‑over‑canvas combo?
AetherLoom
I’m sketching it out now—by next week I should have a mock‑up of the linen‑on‑canvas strip ready to test, and the ribbed nylon mesh can be cut and stitched by the end of the month. The velour halo will wait until the mesh and canvas feel balanced, so the whole thing rolls out in phases, not a rush. How do you plan to integrate those ribbing tweaks into the mesh? It might be a neat way to control phase before you lock in the final weave.