Sure thing, I always start with the human scale first. Even if the lines are crisp, if a room feels too big or too cramped, people will feel off. I’ll sketch the flow and put in a human reference point – a chair, a table, a doorway – to anchor the geometry. Then I tweak the angles and light so the space breathes, not stifles. Perfect lines are great, but they need to bend just enough to invite the body in. Balance is in the subtle shifts that make people feel comfortable without losing the clean aesthetic.

Yeah, a little off‑center door can do wonders. I’ll sketch it first, see how the light falls on it, then test the flow with a scale model or a quick 3D walk‑through. If it still feels balanced and doesn’t throw off the rhythm of the façade, I’ll lock it in. The key is keeping the core geometry clean while letting that subtle twist surprise people. I’ll keep you posted when I nail that balance.

Thanks, I’ll keep that in mind. I’ll run a few iterations from every corner, make sure the asymmetry feels intentional and doesn’t throw the whole rhythm off. Expect a few tweaks, but the end will feel both precise and alive. Keep an eye out—I’ll show you the final play of lines and light.

Thanks, I’ll hit that and let you know once the models are done. Catch you soon.