Yeah, I’ve watched a lot of those scenes and I’m always amazed at the prep behind the scenes. The “glitch” is usually a pre‑programmed jump cut with a little sound hack, then the actor has to keep that look of concentration and panic in perfect sync. It’s a lot of rehearsal, but once the timing is locked, it feels instant. On my end, I’ve spent years learning how to make a scene feel real by tapping into the little nervous habits people have—tapping a foot, a sigh, the way a character’s voice cracks on a bad memory. It’s a bit like hacking the human brain: you identify the signal, then you amplify it so the audience can feel it too. So yeah, we’re both in the business of making something look impossible while keeping it grounded in human truth.