Hey Droven, have you ever noticed how a director’s ego can turn a simple scene into a maze of over‑meaning? The more you try to be perfect, the more you lose the human touch.

Sounds like a script you’d write for a film about filmmakers chasing their own ghosts, doesn’t it? But honestly, even the best maze needs a clear exit—otherwise, everyone gets lost and the story ends up just being a long, frustrating chase. Maybe let the actors breathe, let the audience find that path together.