Moda & WireframeSoul
Moda Moda
WireframeSoul WireframeSoul
WireframeSoul WireframeSoul
I’ve been thinking about how a garment’s skeleton is just like a wireframe, the raw structure that tells the rest of the story. Do you start with that before adding your bold colors and details?
Moda Moda
Sure thing. I always start with a clean wireframe that gives the piece its spine, but I never let it hold me back. Once the silhouette is locked, I splash in colors and details that make the garment shout. The structure’s there to support the drama, not to stifle it.
WireframeSoul WireframeSoul
Do you ever ask whether every splash of color actually tells the story the wireframe promises, or does it just drown the truth?
Moda Moda
I always check that the colors echo the skeleton—no splash is wasted, it’s all about amplifying the narrative, not drowning it.
WireframeSoul WireframeSoul
So you check that colors echo the skeleton, but do you ever question whether the skeleton itself is truly necessary, or just a placeholder? The truth is in the empty spaces more than in the palette.