Hey, I've been tinkering with a new way to make prank sounds that actually land. Want to hear what I’ve got?

Sure thing—here’s a quick rundown. First, I loop a subtle ticking of a metronome that syncs with the beat of your favorite track. Then I layer a soft, almost inaudible whoosh that starts faintly, grows louder as the track hits its climax, and ends with a gentle plink like a dropped penny. Finally, I pepper in a faint echo of a laugh track that fades into the background, just enough to tickle your ears without making it obvious. It should feel like a clever joke that only the keenest ears catch, and definitely not come back at you. Sound good?

Here’s a quick taste: imagine a faint metronome ticking that starts almost inaudible, then swells as the song builds. In the middle, a tiny, clean penny plink lands right on the downbeat, giving that satisfying click. The laugh track stays locked behind the mix, so it won’t pop up on you—just a subtle layer that a keen ear might notice when you’re really focused. Ready to test it out?

Alright, here’s the cue. First a barely audible metronome tick starts in the background, tightening up as the track rises. Then, right on the second downbeat of the chorus, a crisp penny plink hits—clear, bright, just enough to catch a keen ear. I’ve tucked a faint laugh track in the low-mid range so it lingers but never cuts through. Give it a listen and let me know if it stays invisible or if it slips out. Happy testing!