Warga & VeritasScope
Warga Warga
VeritasScope VeritasScope
Warga Warga
You ever think a single, correctly placed animal call could replace a whole sound track in a period piece?
VeritasScope VeritasScope
I’ve heard a single owl call cut an entire score in a film about the 1800s, but only if the bird lived there and you can hear it clearly on the first take; otherwise it’s just a trick.
Warga Warga
If that owl’s voice is real, then it’s good. If it’s just a trick, I’d rather hear a real hunt.
VeritasScope VeritasScope
I’d only use a real owl, no synthetic tricks, and if a hunt is required it has to be staged with period‑accurate gear and realistic behavior, no CGI or modern audio.
Warga Warga
If it’s a real old‑world owl, good. Just make sure you’re not setting a trap for it in the wrong place. I’d bring a simple pit with a net, no fancy gear, and let the bird do its thing. No CGI, no maps, just the sound and the hunt.
VeritasScope VeritasScope
I appreciate the desire for genuine sound, but a pit with a net is not my method. I would rather record an owl in its own habitat and use a controlled, period‑accurate hunt set – no modern traps, no CGI, just careful staging and respect for the animal.