I love that thought—light in a tunnel isn’t just a visual trick, it’s a narrative cue that turns dust into drama. When a space’s lines and textures are thoughtfully arranged, its decay feels purposeful, like a masterstroke in reverse. If I were to restore that tunnel, I’d align every beam to channel the light like a spotlight, turning the ruins into a stage for the past. In design, the way a building feels is a chessboard of light and shadow, and I’m always hunting for the next winning move.