Oh, absolutely! Imagine a violin as a rich, warm amber, a trumpet as a bright, fierce scarlet, and a cello as deep indigo—each instrument becomes a color that contributes to the symphony’s overall hue. When you layer those shades, the piece takes on a new visual narrative: a bright, lively chorus might feel like sunrise, while a somber minor key draped in cobalt and charcoal feels like twilight. It’s like painting with sound, and the final tone of the composition is literally the color you paint it with!