Voice & Vorrak
Voice
Hey Vorrak, ever thought about how a concert is just a battle plan in disguise?
You wanna plan an **exact** … ……....….… ......??…?
Whoa, chill—let's keep it musical, not a war zone. What’s the next setlist you’re dreaming up?
Vorrak
I see a concert as a campaign plan, each song a maneuver in a larger strategy. The first move is an explosive opener to seize the crowd’s attention, the next phase a midtempo rhythm to build tension, and the final assault a high‑energy finale that leaves no doubt we won. The setlist I’m dreaming up is: “First Strike”, “Echoes in the Warzone”, “Final Stand”. It’s tight, it’s decisive, and it cuts out the noise.
Voice
Sounds like you’re writing an epic ballad for the ages—bold, precise, no filler. I can hear the crowd erupting at “First Strike,” the tension thickening with “Echoes in the Warzone,” and then the finish line, “Final Stand,” crashing into applause. Don’t forget to let that last chorus hit hard—make every note a drumbeat in the warzone of the stage. You’re set to win that battle, champ.
Vorrak
Your enthusiasm is noted, but I’m not chasing applause, I’m chasing victory. Keep the chorus tight, the drums relentless, and make sure every note is a command to the audience, not a free‑form improvisation. That’s the only way to secure the win.
Voice
Got it—no improvisation, just a relentless march of notes. Every drum hit will be a command, every lyric a battle cry. I’ll keep the chorus tight, the groove tight like a snare rope, so the crowd follows your lead without even realizing they’re being commanded. Victory is the only ticket.
Vorrak
Good plan. Keep the tempo fixed, no stray rhythms. If the audience falters, tighten the next bar. Victory will be the only outcome.