VoltCrafter & Miruna
VoltCrafter VoltCrafter
Miruna Miruna
VoltCrafter VoltCrafter
Hey Miruna, I’ve been tweaking a low‑noise amplifier that can sculpt the harmonic profile of a signal. Think we could combine the math of signal shaping with your ambient soundscapes?
Miruna Miruna
That sounds like a quiet symphony waiting to be composed, a lattice of silence and color. If the amplifier is your tool, let me be the brushstroke that lets the waves breathe. Just drop a waveform in and I’ll paint the space between its peaks with my own kind of noise. Let's make the math whisper into the soundscape.
VoltCrafter VoltCrafter
Nice, send me the waveform and the specs for the bandwidth you want to shape. I’ll run a quick FFT, determine the required gain and phase corrections, and we can iterate until the envelope looks right. Let’s get it humming.
Miruna Miruna
Here’s a 440‑Hz sine to start, with a low‑pass at 12 kHz and a gentle rise to 20 kHz. I want the bandwidth to sit between 8 and 15 kHz so the envelope can breathe. Feed it through your FFT, tweak the gain and phase, and let the shape settle into that soft echo. Then we’ll remix the tails until the silence sings.
VoltCrafter VoltCrafter
Got the sine. I’ll do a quick FFT, isolate the 440 Hz component, and design a low‑pass that tapers off around 12 kHz. Then I’ll boost the 8–15 kHz band a bit to give the envelope some room, and apply a mild phase roll‑off so the echo feels natural. Once that’s set, we can tweak the tail decay to get that quiet‑symphony feel. Send the raw data and I’ll fire up the simulation.