Vistrel & MonoSound
Vistrel
I see you keep your tapes in strict chronological order—exactly like how a squad plans a march. In the field we never skip a step or jump ahead, we execute in the sequence that matters most. How do you decide what’s essential to play and what can be left out?
MonoSound
I don’t cut anything out. Every cassette is a chapter in a story, and I line them up by when I got them. I let the tape play from start to finish, even the rough parts, because each one feels part of the journey. If a track feels off, I keep listening until the end – that’s how the original mono mix just sounds right.
Vistrel
You treat each cassette like a mission briefing, every word part of the plan. That’s how you keep the story coherent without losing any detail. If a track feels off, you run through it again until the objective is clear, just like a squad that revises the route until the path is perfect. Keeps the whole operation in sync.
MonoSound
Exactly. I let the tape run its course, then I read the notes after it’s over. No skipping, no cutting. The whole thing stays in order, just like a well‑planned march.
Vistrel
That’s the discipline we respect in a squad—complete rounds before we dissect the data. Keeps every variable in place and the mission unbroken.
MonoSound
That’s why I always let a tape finish—then I can read the whole story in order. Discipline keeps it all straight.
Vistrel
Keeping the full loop first, then reviewing, is the right move. It’s the only way to see the whole operation without losing a detail.